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[Not suitable in dishwasher and microwave]

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Vintage Yixing Teapot #78 90's Red Clay ShuiPing Teapot 150ml

Regular price €160,00
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[Not suitable in dishwasher and microwave]

    • Yixing Red Clay Teapot with Hand-Incised Poem (1990s, 150ml)

      This 1990s red clay (hongni 紅土) teapot was made outside the state factory system, with clay quality and workmanship that sit comfortably above the usual standard for outside-factory production of the era. The rounded body, domed lid, and confident upturned spout give it a classic, well-balanced presence on the tea table.

      Its most charming feature is on the base: a finely hand-incised inscription reading "Song feng shui yue hua lou chun" (松風水月畫樓春), followed by the signature "Meng Chen" (孟臣). The line is a classical poetic image that translates roughly as "wind in the pines, moonlight on water, spring at the painted pavilion." Pine wind traditionally evokes the gentle sound of water approaching the boil, a sound tea people have listened for over centuries, while water and moon suggest stillness and clarity. Together the seven characters sketch an ideal tea moment: quiet, unhurried, and surrounded by beauty.

      Inscribing a verse and signing it "Mengchen" follows a tradition dating back to the Qing dynasty, when small export pots bearing poetry and the Mengchen name became the standard companions of gongfu tea across southern China and beyond. This pot continues that lineage, and the carving here is notably crisp and elegant, done by hand rather than stamped.

      At 150ml it is a versatile size, comfortable for two or three drinkers, and the dense red clay suits aromatic oolongs, red tea, and puer alike.

    Yixing Red Clay Teapot with Hand-Incised Poem (1990s, 150ml)

    This 1990s red clay (hongni 紅土) teapot was made outside the state factory system, with clay quality and workmanship that sit comfortably above the usual standard for outside-factory production of the era. The rounded body, domed lid, and confident upturned spout give it a classic, well-balanced presence on the tea table.

    Its most charming feature is on the base: a finely hand-incised inscription reading "Song feng shui yue hua lou chun" (松風水月畫樓春), followed by the signature "Meng Chen" (孟臣). The line is a classical poetic image that translates roughly as "wind in the pines, moonlight on water, spring at the painted pavilion." Pine wind traditionally evokes the gentle sound of water approaching the boil, a sound tea people have listened for over centuries, while water and moon suggest stillness and clarity. Together the seven characters sketch an ideal tea moment: quiet, unhurried, and surrounded by beauty.

    Inscribing a verse and signing it "Mengchen" follows a tradition dating back to the Qing dynasty, when small export pots bearing poetry and the Mengchen name became the standard companions of gongfu tea across southern China and beyond. This pot continues that lineage, and the carving here is notably crisp and elegant, done by hand rather than stamped.

    At 150ml it is a versatile size, comfortable for two or three drinkers, and the dense red clay suits aromatic oolongs, red tea, and puer alike.